WILL ROGERS

Throughout Reach, players visit Atlas’ Workshop four times. On each visit, they participate in an interactive narrative scene that serves to advance the player’s understanding of the plot and provide them with their objective for the next several levels. As well as blocking out the Workshop itself, I blocked out all four narrative scenes, then worked with animation, audio, tech design, and the voice actors themselves to see the narrative realised in these spaces. In this arti

I became responsible for scriptwriting on Reach around half way through development following the departure of the fantastic Frankie Wakefield-Harrey. At this point, we had a developed VSD script and a first draft of major beats in Reach’s story. Over the next year, I was tasked with writing the full script and helping get it implemented into the game. Getting Started... I began this process with research, diving deep into the current script and narrative documentation. I als

I was responsible for creating several combat encounters throughout Reach, from small-scale encounters designed to introduce enemy types, to larger multi-wave encounters designed to test the player’s abilities. This article delves into the creation of an encounter I lovingly refer to as ‘The Gauntlet’. Running the Gauntlet - Design Goals The Gauntlet is a combat encounter occurring in Reach’s final level. Before beginning designing the space, I established what I wanted the e

White Rabbit (approx 15-30-mins playtime) is one of Reach’s early levels, and serves to introduce the player to the underground setting where they’ll spend most of their playtime. I worked on this level from its initial paper designs through to completion. Research & Planning Work on White Rabbit began with research. I created a list of mechanics already understood by the player by this point in the game, and a list of the major narrative beats they’d have experienced. Workin

Reach is an action adventure game designed exclusively for virtual reality. You take on the role of Rosa, who unexpectedly finds herself deep underground, coming face to face with a race of ancient stone creatures.

Trigger warning: This article mentions harassment and sexual assault; the videos on this page may be triggering for those who have...

A few years back, an article did the rounds saying that only 10-20% of video games bought actually get finished. Whether this stat is...

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Daniel Clark of IGN describes holistic design as "harmony between mechanics and aesthetics." This is something that's been important to...

In game design, creation of clear design documentation is incredibly important, even when working as a solo developer. Throughout...

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From the outset, one of The Last Sprite's design pillars was 'rolling player character'. My desire to include this came from experience...

By the time I began designing The Last Sprite's world and platforming areas, I'd already spent weeks working on player movement...

As the sole developer working on The Last Sprite, I was responsible for all Blueprint visual scripting. I’ve picked out a few pieces to...

Radiance tells the story of Clarus, a human test subject tasked with reactivating the emergency systems aboard a research vessel under...

I worked as a hands-on designer during Radiance's development, implementing gameplay within Radiance's single level utilising...

As we were working with a multi-disciplinary team that included artists and coders, it was essential that our game bible and...

At the outset of Module 4, we had in mind that we’d create a level that began players in a test chamber aboard the Erudition (the...

Radiance is a third-person action-adventure game that centres on telekinesis puzzles and a time-looping mechanic. Players take control of...

I contributed most Blueprint code to levels 1 & 2 of Impossible Rescue. This includes level Blueprinting, but also creation of player...